The Louvre transferred part of its jewellery collection to the Bank of France vaults on Friday as a security measure. French radio network RTL reported that the transfer included the “Crown Jewels” from the Apollo Gallery and other precious items from different museum sections.
Police escorted the discreet operation through Paris to the bank’s underground vault, located 27 meters beneath its headquarters. The facility holds nearly 90% of France’s gold reserves and is considered one of the most secure sites in the country.
Museum officials acted quickly after last week’s daring theft, which exposed serious flaws in the museum’s security systems.
Thieves Execute Bold Daylight Heist at the Louvre
Last week, multiple thieves stormed the Louvre in broad daylight, using a basket lift to reach a balcony connected to the Apollo Gallery. They forced open a window, smashed display cases, and stole several priceless jewels before fleeing on motorbikes.
The entire robbery lasted between six and seven minutes. Investigators estimate the stolen jewels are worth about €88 million, though experts stress that their cultural and historical value far exceeds that figure.
Police are analyzing CCTV footage and pursuing leads, but no arrests have been announced. Authorities believe the thieves planned the operation with precision and knowledge of the museum’s layout.
France Faces Outrage and Security Scrutiny After Heist
The theft triggered national outrage and sparked debate over France’s ability to protect its cultural heritage. Lawmakers called the incident a “national humiliation” and demanded accountability from museum administrators.
Officials at the Louvre had previously warned about underfunding and inadequate investment in security measures. The government now faces pressure to strengthen protection for national treasures across the country.
The robbery highlights a worrying trend. In recent years, Europe has witnessed a rise in high-profile museum heists. In France alone, four museums have been robbed in the past few months, raising fears that cultural institutions remain easy targets for organized crime.
